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Soap Opera (still), 2026. Video research, 24 films — 10 min. "Soap Opera" assembles bath scenes from across the history of cinema, reframing footage typically shot through the male gaze toward a female perspective — showing women through vulnerabilit
Soap Opera (still), 2026. Video research, 24 films — 10 min. "Soap Opera" assembles bath scenes from across the history of cinema, reframing footage typically shot through the male gaze toward a female perspective — showing women through vulnerabilit
Maternal Care, 2026. Acrylic on shaped and washed canvas — 200 x 145 cm.
Iceberg, 2026. Acrylic on shaped and washed canvas — 230 x 190 cm.
Laundry (still), 2026. Video research — 8 min., 40 sec. "Laundry" works with found footage to make invisible labor visible, tracing how washing is represented across cultures — from domestic rituals to the large industrial laundries of Mumbai. The wo
Laundry (still), 2026. Video research — 8 min., 40 sec. "Laundry" works with found footage to make invisible labor visible, tracing how washing is represented across cultures — from domestic rituals to the large industrial laundries of Mumbai. The wo
Washed-born Creature (Mermaid), 2025. Acrylic on shaped and washed canvas — 185 cm on the floor, 170 cm upwards, radius 130 cm. Photo: Tim Albrecht
Washed-born Creature (Octopus), 2025. Acrylic on shaped and washed canvas — 200 × 50 cm. Photo: Tim Albrecht
Living in a State of Disappearance, 2026. Video — 7 min. "Living in a State of Disappearance" documents the demolition of a building in which an artist's paintings were stored, watching the works transform into construction debris and enter systems o
Living in a State of Disappearance, 2026. Video — 7 min. "Living in a State of Disappearance" documents the demolition of a building in which an artist's paintings were stored, watching the works transform into construction debris and enter systems o
Washed-born Creature (Darida’s Cat), 2025. Acrylic on shaped and washed canvas — 330 × 180 cm. Photo: Tim Albrecht
Washed-born Creature (Snail), 2025. Acrylic on shaped and washed canvas — 155 × 140 cm. Photo: Tim Albrecht
Domestic Fire, 2025. Acrylic on shaped and washed canvas — 160 × 120 cm. Photo: Tim Albrecht
Flatland, 2024. Corner painting. Acrylic and spray paint on shaped and washed canvas — variable dimensions. Photo: Tim Albrecht
Mom’s Skirt, 2024. Cyclical painting. Acrylic and spray paint on shaped and washed canvas, mounted on wheels — variable dimensions. Photo: Tim Albrecht
Painting Becomes Tree (Cinnamon Roots), 2024. Acrylic on shaped and washed canvas — height 180 cm to the floor, width on the floor 165–180.
Corner Painting, 2024. Acrylic on shaped and washed canvas — 170 × 170 cm. Photo: Tim Albrecht
Painting Beside Itself (40°, 1000 rpm, 20 min), 2023. Acrylic on shaped and washed canvas — 195 x 150 cm. Photo: Tim Albrecht
Pink Disaster (30°, 800 rpm, 30 min), 2023. Acrylic on shaped and washed canvas — 195 x 170 cm. Photo: Tim Albrecht
Absurd (30°, 1000 rpm, 20 min), 2023. Acrylic on shaped and washed canvas — 195 x 170 cm. Photo: Tim Albrecht
Tidy Holey Purple Painting (40°, 1000 rpm, 20 min), 2023. Acrylic on shaped and washed canvas — 195 x 170 cm. Photo: Tim Albrecht
Washed Pink Painting (Exploring the Risk of Washing No. 2), 2022. Acrylic on shaped and washed canvas — 170 x 120 cm.
Washed Orange Painting (Exploring the Risk of Washing No. 1), 2022. Acrylic on shaped and washed canvas — 150 x 150 cm.

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